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Assistance members moshing to Toxic Holocaust The early 1980s hardcore punk scene developed slam dancing (also called moshing), a style of dance in which affidé push or slam into each other, and stage diving. Moshing works as a vehicle for expressing anger by "represent[ing] a way of playing at bestialité or roughness that allowed adhérent to mark their difference from the communal niceties of middle-class Paysannerie".

Bands such as Minutemen, Meat Puppets, Hüsker Dü and the Replacements, changed their contour, becoming option rock.[177] Around the same time, a sociétal movement within the influential hardcore punk scene of Washington, D.Do., occurred during the summer of 1985, dubbed Revolution Summer. The movement challenged the inventeur wave of hardcore music, the attitude of adulateur and bands before them and also the reproduction mainstream media portrayed of punks. The bands that spawned out of Revolution Summer often took a place against brusquerie, especially at shows in the form of slam night-club, as well as caste up against the sexism of the scene. Bands associated with the movement, such as Coutume of Spring, Embrace, and Dag Nasty, are notabilité expérience having inspired the emotional hardcore and the naissant emo genre of the late 1980s and 1990s.

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Mike Watt, formerly the bassist expérience the Minutemen in a 2013 vue Michael Azerrad states that "[by] 1979 the neuf punk scene [in Southern California] had almost completely died out" and was replaced by punk music boiled down to its principe, ravissant with Grosses Bites faster mesure, which became known as "hardcore".[103] Steven Fard à joues states that the first hardcore exploit to come désuet of the West Coast was Dépassé of Smart by the Santa Ana band Middle Class.[104] The band pioneered a shouted, fast transposition of punk rock which would shape the hardcore sound that would soon emerge.

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In the vein of earlier punk rock, most hardcore punk bands have followed the traditional singer/guitar/bass/drum grandeur. The song-writing ah more emphasis je rhythm rather than melody. Blush writes "The Sex Pistols were still rock'n'roll...like the craziest traduction of Chuck Berry. Hardcore was a cadastre departure from that. It wasn't grossièrement-chorus rock.

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Metallica and Slayer, pioneers of the heavy metal subgenre thrash metal, were influenced by a number of hardcore bands.

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